ULANGAN AKHIR SEMESTER GANJIL SPEAKING
ULANGAN AKHIR SEMESTER GANJIL
1.if you want to camping, what do you need??
a.tent
b.sleeping bed
c.instant food
d.fresh water
e.flash light
f.snack
g.medicine
h.mat
i.cooking set
j.jacket
2.Make a conversation between receptionist and guess!
Imagine that you are as a hotel receptionist
Receptionist: Good morning, Grand Trawas Hotel. May I help you?
Eny : Yes. I´d like to book a room, please.
Receptionist: Certainly. When for, madam?
Eny : March the 23rd.
Receptionist: How long will you be staying?
Eny: Three nights.
Receptionist: What kind of room would you like, madam?
Eny: Er... double with bath. I´d appreciate it if you could give me a room with a view over the lake.
Receptionist: Certainly, madam. I´ll just check what we have available. . . Yes, we have a room on the 4th floor with a really splendid view.
Eny : Fine. How much is the charge per night?
Receptionist: Would you like breakfast?
Eny: No, thanks.
Receptionist: It´s eight hundred thousand per night excluding VAT.
Eny: That´s fine.
Receptionist: Who´s the booking for, please, madam?
Eny: Mrs Eny,
Receptionist: Okay, let me make sure I got that:Mrs Eny. Double with bath for december the 13rd, 14th and 15th. Is that correct?
Eny : Yes it is. Thank you.
Receptionist: Let me give you your confirmation number. It´s: 085730626300. I´ll repeat that:085730626300. Thank you for choosing Grand Trawas Hotel and have a nice day. Goodbye.
Eny : Goodbye.
3.Mojokerto Regency has many potential tourism objects but it lack of promotion,now try to make a promotion about tourism objects in Mojokerto!
UBALAN SWIMMING POOL
Ubalan swimming pool is located in south of Mojokerto. It has strategic location. The wide of are about 1000 meters. There are three pool,one of pools especially for children in ubalan also many facilitaes. There are playground,outbond,café,etc. Theprice of ticket is cheap. Its about 6000 rupias and additional ticket for swimming about 5000.
Ubalan is one of beautiful tourism in Mojokerto. It has nice view,natural atmosphere,cheap and safety park area.
We can spend our holiday and weekend in ubalan. Its must be exciting.
So you must go to ubalan. Its very nice for your holiday
Bekucuk natural fire
Bekucuk natural fire is an ancient well. Its location is at Bekucuk sub-village, Tempuran village, Sooko district, about 2 km West side of Mojokerto city. It release natural gas with fire. The fire can reach 10 m height. The fire is unique because it can be off and on. This natural fire cannot disappear although it gets rain. This is a unique natural happen in Mojokerto regency.
Visit Bekucuk natural fire to show the real fantastic fire.Come get there now ! ...Definitely will not regret it ..
Kolam Segaran
Segaran pool located not far from the District Trowulan, precisely in the Village Temon, Mojokerto regency, the easiest sites to be visited of all sites contained Majapahit in this area, exactly 500 meters to the south of Provincial Highway Mojokerto Jombang.
This site is an ancient relic pool during the Majapahit Kingdom, 7 centuries ago. Swimming Segaran, was first discovered by Ir. Other Mac Pont in 1926 was that a length of 375 meters, 175 meters wide, thick edge depth of 160 centimeters by 288 centimeters, always filled with water height of 150 to 200 centimeters during the rainy season. Using brick construction as limiting the pool, and unique bricks are arranged in such a way without adhesive just rubbed rubbing each other. Source pond water obtained from the incoming water line kekolam and rain water. Presumably once this pool also serves as a reservoir and water reservoir, is a form of capacity building for technology Majapahit kingdom wet, experts estimate this pool is equal to the word "lake" mentioned in the book Negarakertagama.
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Jumat, 26 November 2010
LOVE POEM
NOT WITH ME...
I'm walking up from my summers dreams again
try to thinking if you're alright
then I'm shattered by the shadows of your eyes
knowing you're still here by my side
I can see you if you're not with me
I can say to my self if you're OKAY
I can feel you if you're not with me
I can reach you my self, you show me the way
life was never be so easy as it seems
'till you come and bring your love inside
no matter space and distance make it look so far
still I know you're still here by my side
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Rabu, 10 November 2010
Example of dialogue interview
Job Interviews
AN INTERVIEW DIALOGUE
Read through this outline of the responses of three applicants to the same questions asked of them in an interview.
Consider their answers carefully.
Good morning, my name is Ms Martin. You've applied for the Laboratory Assistant's position right?
A. Yes.
B. Yes Ms Martin, I have.
C. Yes Ms Martin. When I saw it advertised I thought it would really suit me.
Can you tell me why you replied to our advertisement?
A. I .... I 'm not really sure .... ahh ....
B. Well, I've always enjoyed science and felt that this position would offer me an opportunity to extend my skills in this area.
C. I think that I'd be really good at this kind of work. In fact I learn so fast that I'd be looking for promotion very shortly.
Do you know exactly what you would be doing as a Laboratory Assistant?
A. Well, I don't really know for sure, but I think it's got something to do with helping out the scientists in the laboratory hasn't it?
B. A Laboratory Assistant helps to maintain scientific equipment, keeping a check on the supplies in the store, and preparing the chemicals for experiments.
C. Oh, a Lab. Assistant helps make sure that all the experiments are done properly.
What sort of student do you regard yourself as . . . did you enjoy studying while you were at school?
A. I wasn't the best student. I didn't really like study all that much, but I did it when I had to
B. I suppose I'm a reasonable student. I passed all my tests and enjoyed studying subjects that interested me.
C. I'm a really great student I didn't have to study much because I always seemed to get by without worrying too much about it.
What were your favourite subjects at school?
A. I liked Science-it was O.K. . . well, at least the bits I understood were O.K.
B. Maths and Science were my favourite subjects at school. I also enjoyed doing History.
C. I'm afraid that I only liked the ones I was good at. The others were so boring that I found them to be a thorough waste of my time.
Do you have any further plans for further study?
A. I hadn't really thought much about it . . .I don't know what courses I could do.
B. Well, I've thought about doing the part-time Chemistry Certificate course at Technical College. I think I would really benefit from doing that.
C. Well, if I had to do it I suppose I would, but now I ve finished school I'd much rather try to get my social life back into full swing again.
Suppose our company wanted you to attend an institution to further your skills.... How would you feel about this?
A. Attend a what?
B. If the course would help me improve my prospects for promotion and help me to be better at my job I would definitely do it.
C. Attend a course? When? I hope it would be in the day time? Would I get time off from work to attend it? I hope it's not at night-my social life would be ruined.
Have you ever had a job before?
A. No I haven't. I've never really been game enough to get one.
B. Yes. I have worked part-time at a take away food store-the one just round the corner. . .
C. No. I've really been too busy, what with all the study I've had to do to get a good result. . .
We have a lot of other applicants for this position. Why do you think that you deserve to get the job?
A. I can't think of any special reason-I suppose I'm no different from most other people.
B. Well, I've found out a lot about this type of work and my research suggests that I would be quite capable of doing the work involved. I also think that I would be able to handle any training course reasonably well.
C. I reckon I'd probably be the best applicant you're likely to get for the job.
Now, do you have any questions you'd like to ask me about the position?
A. No thank you. I don't think so.
B. Yes. Ms Martin, could you tell me what hours I'd have to work, and for whom I'd be working?
C. Yes. . . What's the pay like?
I think I have asked you everything I wanted to. Thank you for coming along to the interview.
A. Thank you Ms Martin. Goodbye.
B. Thank you. When will I know if I am successful?
C. Oh, think nothing of it. . . Could I see where I'll be working?
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Example of job apllication letter
Personnel Department
Dear Sir,
Im seeing your fast growing organization and I heard that your company has a good reputation, so I would like to join with your company as Credit Marketing officer (CMO).
I am 29 years of age and I graduated from Mechanical Technique Faculty, Jenderal Achmad Yani University, Bandung, Majoring in Metallurgy.
I have an excellent health, high motivation, good communication skill, computer skill, creative, high loyalty, integrity, I am ready to work hard, motorcycle, SIM C and highly motivated to works every where.
Hopefully, you could consider my application and I am looking forward to hearing from you.
Yours faithfully,
Riki Sahari, ST
Senin, 13 Desember 2010
Rabu, 24 November 2010
BAHASA INDONESIA K.D 5.2
1. A) Tema : Pengorbanan & Tanggung Jawab Sahabat Sungguh Penting
2. B) Tokoh :
a) Anas : baik hati, pengertian, penyabar
suaranya dalam, air mata mendesak keatas, tapi, ditekannya. Menghisak sedikit. Menelan ludah lalu mengorek – ngorek lagi matanya.
b) Hadi : keras, suka memukul, mudah menghasut
.... Dan seraya berkata begitu, tajam lagi Hasan melihat kedalam wajah Hadi. Hadi agak gelisah, kertas yang digenggamnya makin diremas-remas. Kemudian seraya membanting kepalan kertas itu ke lantai, “baiklah! Biar aku yang mencurinya. Jangan kepalang aku dikatakan pencuri.”
Dan sambil menyepak kepalan kertas tadi, ia nergegas keluar, “ biar kucuri dekarang juga. ”
c) Hasan : pendedam, jaht, suka menghasut.
Hasan mengikuti badan kecil berkacamata itu dengan pandangan matanya sampai menghilang di balik pintu. Kemudian dengan menepuk lagi punggung Hadi katanya, “ Sebetulnya kau kalah itu bukan karena kau kalah pandai, Hadi, tapi kurang awas, kita mesti kalah, ya ia terlalu llicik, terlalu cerdik, terlalu pelit, betul tidak?”
d) Amat (pesuruh asrama) : jujur & menjalankan tugasnya dengan baik.
.... dan datangan Amat bergerak-gerak, mau banyak bicara tapi sukar, “ Saya...... Amat yang mengadu....... bukan orang lain....... Saya tadi lihat dari belakang pintu segala apa yang terjadi.”
e) Pak Yoso ( Pemilik Asrama ) : Tegas dalam mengambil semua tindakan dan permasalahan.
Tiba-tiba Pak Yoso masuk kembali. Mendekati Hasan yang sedang merengut itu. Katanya dengan suara keras, “ Hasan! kau telah berbuat busuk, mengerti? Karena begitu kamu harus di hukum.”
e) Tini (kakak Hadi ) : Baik dan Ramah.
Tini mengangkat kepalanya. Berhenti sedunya maka, dengan roman muka yang lesu dan bibir mata yang tebal serta hidung yang kemerah-merahan basah, diambil secarik kertas dari tasnya. “ Tilgram,” bisiknya, “ Ayah....” (tiadak lanjut, suaranya tertelan oleh sedu).
3. – Latar Waktu.
a) Siang Hari
....... Sunyi beberapa jurus orang-orang pada diam. Hening, Cuma sekali-sekali terdengar sedu Tini. Akhirnya Anas berkata kepada Tini, “ saya rasa masih memburu kereta api jam 2 (melihat jam dindingnya) sekarang baru pukul 1.15.
- Latar Tempat.
a) Panggung dalam asrama
Panggung merupakan sebuah ruangan besar, tempat anak-anak asrama baca-baca/ bercakap-cakap. Di sebelah kiri dekat dinding depan sebuah meja kecil duduk Hasan yang sedang menulis dan di tengah-tengah ruangan ada Hadi dan Anas sedang bermain catur.
- Suasana Batiniah
“...... Tapi, saya rasa tidak baik kalau orang yang nyata bersalah tidak mendapat hukuman. Saya sudah terima bersalah, maka saya pun rela menjalani hukuman yang setimpal. “ dan sambil melirik kedalam wajah Hasan, ia mencela dirinya sendiri, “ya, lebih busuk lagi karena saya sudah dapat dihasut untuk mencuri, tidak cukup untuk meminta maaf dan menyesal. Dan memang minta maaf itu pun sekali-kali bukan dimaksudkan supaya saya di bebaskan dari hukuman.”
- Suasana Sosial.
..... Melihat itu Hadi lekas membuka jam tangannya, “ Oya Anas<>
4. Alur Maju.
Karena menceritakan dari awal, yang menggambarkan para tokoh, konflik-konflik yang dihadapi hingga akhir yaitu penyesalan dari konflik tersebut.
5. Orang pertama, pelaku sampingan karena tokoh utama (orang pertama) sama dengan tokoh yang lainnya dalam novel tersebut.
6. Tidak, dalam novel “ Bentrokan Dalam Asrama” tidak ada flash back
7. Pubcak ketegangan :
- Ketika Hadi memukul Anas hingga kacamatanya jatuh dan Anas mau membalas pukulan Hadi tapi ada Pak Yoso datang.
- Ketika Tini ( kakak Hadi) memberitahukan kalau ayah Hadi meninggal.
8. a) Konflik Fisik.
Hadi yang sering membentak dan memukul-mukul Anas karena gara-gara gasutan Hasan yang mengatakan kalau Anas itu licik.
b) Konflik Batin
Tini dan Hadi yang sedik karena ayahnya meninggal padahal setengah tahun lalu ibunya telah meninggal juga dan sekarang Hadi telah memutuskan untuk putus sekolah untuk bekerja menghidupi adik-adiknya
Senin, 15 November 2010
example job interview
Tangerang, November 15, 2010
Attention To:
Mr. Imantoro
Human Resources Department
PT. Persada Bumida Terpadu
Jl. Raya Sukamaju No. 11
Tangerang
Dear Sir,
On this good opportunity, I would like to apply as a Instrumentation and Control System Engineer in your company. My name is Dias Farhan, 22 years old, male, single, energetic and healthy. I am a Control System Engineer and graduated from Suryadarma University (UNSURYA) on May 2007 with GPA 3.78. I would like to have career to expand my experience.
My personality as a hard worker and fast learner type of person would bring benefit to your company. I will be very appreciated if you could give in opportunity to work in your company.
Herewith I enclose my curriculum vitae, which will give details of my qualification.
I hope my qualifications and experience merit your consideration and look forward to your reply.
Sincerely yours,
Dias Farhan
Phone : 021 - 5758243
Jl. Melati No.23
Tangerang - 15712
Minggu, 05 September 2010
LIRIK LAGU DAERAH
CUBLAK CUBLAK SUWENG
cublak cublak suweng
suwenge ting geletek
nganggo kepudung solek
tak ijo royo-royo
sopo gelem delekake
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong-dhong-dhong–dhong ….
cublak cublak suweng
suwenge ting geletek
nganggo kepudung solek
tak ijo royo-royo
sopo gelem delekake
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong-dhong-dhong–dhong ….
KESENIAN BANTENGAN
ART bantengan
Bantengan Traditional Arts, is a performing art that combines elements of traditional cultures sendra dance, though kanuragan, music, and poetry / spell that is very thick with magical nuance.
Performer bantengan sure that the game will be more interesting if already entered phase "trans" The first step is the holder of the player's head into possession of ancestors bantengan Bull (Dhanyangan).
Bantengan art that has been born since the days of the Kingdom of the royal era Singasari (Jago temple site - Overlapping) is very closely related to Pencak Silat. Although at the time of Ken Arok, the royal art forms bantengan not like now, that is shaped mask dancing bantengan head. Because the dance movements of the motion to adopt played Kembangan Pencak Silat.
Not surprising really, because at first was unsure Art bantengan entertainment for every player Pencak Silat after each exercise routine. Each group has at least two bantengan bantengan as well as a pair of male and female bantengan.
Although developed from among college Pencak Silat, at this moment bantengan Arts has stood alone as part of the tradition of art that not all universities in the Indonesian Pencak Silat has bantengan Group and vice versa.
Development of the arts community bantengan majority are in rural or suburban areas on the mountain slopes of East Java as precisely Bromo-Tengger-Semeru, Arjuno-Welirang, Pearl, and roar-Argopuro Kawi.
Arts game played by two people bantengan which acts as the front legs at the same time the holder's head and controller bantengan bantengan dance and hind legs that also serve as the tail bantengan. Bantengan costumes are usually made of black cloth and a mask-shaped head made of wood bison and native bull horns.
Bantengan is always accompanied by a group of people who play musical instruments typical bantengan with a gong, drum, and others. Art is played by two men, one in the front of the head, and one at the rear of the tail. and usually, the front man will be possessed, and the person behind him will follow his every movement.
Quite often people in the back is also possessed by the devil. However, the very rare person in the rear while the front was not possessed. bantengan assisted so possessed by the people (men) who wear clothes all the usual red and black T-shirt called abangan usually called irengan.
Bantengan also always accompanied by macanan. macanan costumes are made from fabrics that were given coloring (usually yellow striped orange), which is used by a man. This usually helps bantengan macanan possession and hold it until it is too violent when kesurupannya. But not infrequently macanan also possessed.
Ornaments that are on bantengan namely:
1. Horn (buffalo, buffalo, cows, etc.)
2. Bull's head made of wood (hibiscus, dadap, Miri, jackfruit, tables, flowers, etc.)
3. Bantengan crown, in the form of spiral wayangan leather or paper
4. Klontong (instrument sounds in the neck)
5. Penjalin basket, as the body (in a particular area using only a black cloth as a connector body and legs behind head)
6. Gongseng feet
7. Complaint (the reins)
In each show (called "gebyak"), bantengan supported by some devices. Namely:
1. Two people Pendekar bantengan chief controller (using a rope slap)
2. Jidor player, gamelan, pengerawit, and sinden. Minimal 1 (one) at each position
3. Elders, an elder person. Have advantages in terms of calling the ancestor Bull
4. (Dhanyangan) and return it to the place of origin
5. Guardian and warrior leader is in control with a control group of whip (Cemeti / Whips)
6. Minimum of two and one Monyetan Macanan as confounding role bantengan.
Bantengan, A CULTURAL communal
Bantengan communal art is art that is involving a lot of people in each show. Just as the nature of animal life bull, which live in groups (colonies), this form of behavior bantengan cultural society menggelutinya to always live in communality, mutual assistance and uphold a sense of unity unity.
One example of cultural behavior bantengan striking arts actors are there anjang anjang culture here, namely cultural reciprocation between arts groups bantengan if one of them was invited to play the art in other areas. Then, on the other time bantengan existing arts groups in the area will take turns coming bantengan groups who previously helped enliven an event in their area.
STONE CITY ART HISTORY bantengan
Bantengan art developments in Batu and was started in the era of struggle. During this period, the young City of Stone (which is still part Kadipeten Malang), many were sent to boarding school to learn Pencak Silat Kanuragan Sciences, based in Jombang area.
As mentioned above, closely related with martial arts bantengan, then after nyantri (seeking knowledge in Pondok Pesantren) Stone youths back yard and founded padepokan kekampung Pencak Silat. To attract young people who are willing to learn Kanuragan perkampungannya Pencak Silat, the art developed characterizations bantengan with wild animals is against the Bull of the Tiger (Tiger).
During the struggle against these invaders, these characterizations Bull symbolized the animals that live colonies (groups) is the symbol of the common people and animals Tiger (Tiger) represents the Dutch Colonial, and there are figures of animals that like to tease Bull Monkey and Tiger as well as provoke them to always fight . This symbolizes Monyetan provocateur.
Until recently, art bantengan Stone (who has berotonommi become a separate municipality out of Malang) still continues to maintain its existence. Even in remote corners of rural development, arts bantengan have been able to stand alone outside the group Padepokan Pencak Silat.
Furthermore, art bantengan rapidly evolving in the Stone was taken by one of the leaders in the martial arts to the region Pacet Bumiaji Mojokerto (because the location of two adjacent areas on the slopes of the mountains Arjuno-Welirang) and developed this art to the present.
Bantengan Traditional Arts, is a performing art that combines elements of traditional cultures sendra dance, though kanuragan, music, and poetry / spell that is very thick with magical nuance.
Performer bantengan sure that the game will be more interesting if already entered phase "trans" The first step is the holder of the player's head into possession of ancestors bantengan Bull (Dhanyangan).
Bantengan art that has been born since the days of the Kingdom of the royal era Singasari (Jago temple site - Overlapping) is very closely related to Pencak Silat. Although at the time of Ken Arok, the royal art forms bantengan not like now, that is shaped mask dancing bantengan head. Because the dance movements of the motion to adopt played Kembangan Pencak Silat.
Not surprising really, because at first was unsure Art bantengan entertainment for every player Pencak Silat after each exercise routine. Each group has at least two bantengan bantengan as well as a pair of male and female bantengan.
Although developed from among college Pencak Silat, at this moment bantengan Arts has stood alone as part of the tradition of art that not all universities in the Indonesian Pencak Silat has bantengan Group and vice versa.
Development of the arts community bantengan majority are in rural or suburban areas on the mountain slopes of East Java as precisely Bromo-Tengger-Semeru, Arjuno-Welirang, Pearl, and roar-Argopuro Kawi.
Arts game played by two people bantengan which acts as the front legs at the same time the holder's head and controller bantengan bantengan dance and hind legs that also serve as the tail bantengan. Bantengan costumes are usually made of black cloth and a mask-shaped head made of wood bison and native bull horns.
Bantengan is always accompanied by a group of people who play musical instruments typical bantengan with a gong, drum, and others. Art is played by two men, one in the front of the head, and one at the rear of the tail. and usually, the front man will be possessed, and the person behind him will follow his every movement.
Quite often people in the back is also possessed by the devil. However, the very rare person in the rear while the front was not possessed. bantengan assisted so possessed by the people (men) who wear clothes all the usual red and black T-shirt called abangan usually called irengan.
Bantengan also always accompanied by macanan. macanan costumes are made from fabrics that were given coloring (usually yellow striped orange), which is used by a man. This usually helps bantengan macanan possession and hold it until it is too violent when kesurupannya. But not infrequently macanan also possessed.
Ornaments that are on bantengan namely:
1. Horn (buffalo, buffalo, cows, etc.)
2. Bull's head made of wood (hibiscus, dadap, Miri, jackfruit, tables, flowers, etc.)
3. Bantengan crown, in the form of spiral wayangan leather or paper
4. Klontong (instrument sounds in the neck)
5. Penjalin basket, as the body (in a particular area using only a black cloth as a connector body and legs behind head)
6. Gongseng feet
7. Complaint (the reins)
In each show (called "gebyak"), bantengan supported by some devices. Namely:
1. Two people Pendekar bantengan chief controller (using a rope slap)
2. Jidor player, gamelan, pengerawit, and sinden. Minimal 1 (one) at each position
3. Elders, an elder person. Have advantages in terms of calling the ancestor Bull
4. (Dhanyangan) and return it to the place of origin
5. Guardian and warrior leader is in control with a control group of whip (Cemeti / Whips)
6. Minimum of two and one Monyetan Macanan as confounding role bantengan.
Bantengan, A CULTURAL communal
Bantengan communal art is art that is involving a lot of people in each show. Just as the nature of animal life bull, which live in groups (colonies), this form of behavior bantengan cultural society menggelutinya to always live in communality, mutual assistance and uphold a sense of unity unity.
One example of cultural behavior bantengan striking arts actors are there anjang anjang culture here, namely cultural reciprocation between arts groups bantengan if one of them was invited to play the art in other areas. Then, on the other time bantengan existing arts groups in the area will take turns coming bantengan groups who previously helped enliven an event in their area.
STONE CITY ART HISTORY bantengan
Bantengan art developments in Batu and was started in the era of struggle. During this period, the young City of Stone (which is still part Kadipeten Malang), many were sent to boarding school to learn Pencak Silat Kanuragan Sciences, based in Jombang area.
As mentioned above, closely related with martial arts bantengan, then after nyantri (seeking knowledge in Pondok Pesantren) Stone youths back yard and founded padepokan kekampung Pencak Silat. To attract young people who are willing to learn Kanuragan perkampungannya Pencak Silat, the art developed characterizations bantengan with wild animals is against the Bull of the Tiger (Tiger).
During the struggle against these invaders, these characterizations Bull symbolized the animals that live colonies (groups) is the symbol of the common people and animals Tiger (Tiger) represents the Dutch Colonial, and there are figures of animals that like to tease Bull Monkey and Tiger as well as provoke them to always fight . This symbolizes Monyetan provocateur.
Until recently, art bantengan Stone (who has berotonommi become a separate municipality out of Malang) still continues to maintain its existence. Even in remote corners of rural development, arts bantengan have been able to stand alone outside the group Padepokan Pencak Silat.
Furthermore, art bantengan rapidly evolving in the Stone was taken by one of the leaders in the martial arts to the region Pacet Bumiaji Mojokerto (because the location of two adjacent areas on the slopes of the mountains Arjuno-Welirang) and developed this art to the present.
Kamis, 26 Agustus 2010
traditional games
Lompat Tali (karetan)
This is a very popular game which elementary school girls play at recess time. It is much like skipping rope however the rope that the girls use is made from hundreds of elastic bands that are looped together to form a large ring. The girls take turns trying to jump over the elastic rope which is held by two girls at each end.
The height of the rope normally starts low, such as at ankle height, and gradually moves higher up the bodies of the children after the jumpers have successfully jumped over the lower height. Experienced jumpers can often jump over ropes that are neck high! A good thing that comes from using a rope that is made from rubber bands, is that if a jumper is not successful in jumping over the rope, the rope will give and the jumper will not be hurt in her unsuccessful attempt. Thus, a lot of skinned knees are avoided.
Senin, 02 Agustus 2010
PAGE II (publik places in mojokerto)
Although Considered Typical, but No Longer Used for Friday Prayers
The intrinsic value is always attached to the ancient buildings. In particular places of worship rich historical value. As can be seen in the Masjid Baitul Muslimin North Kauman Mojosari, Mojokerto regency.
The walls of the mosque's building looks tired prop. The tower is stuck in the roof as if no longer withstand the heat of strong sunlight. From the physical distance Mosque Baitul Muslimin North Kauman Mojosari already looks very old indeed. Although the look remained robust, though continue to protect the people who worship there.
Although the physical building is not semegah Mojosari Jami Masjid in the north, but the mosque remains a jujukan Kauman residents to perform salat. Especially to the people that come from out of town.
Every moment in front of the mosque looked a number of vehicle parking. The majority of those vehicles owned by residents outside the city who want to feel the old prayers in the mosque. Not just prayer, some of which also linger in the mosque to read Qur'an or remembrance practice.
"Some people sometimes come to drink well water of the old mosque," said Ustad Hussein, one of the takmir mosque. The Well is situated on the north side of building mosques. But, still inside the fence of the mosque. It is said that well water is believed to bring blessing, to be able to heal the sick peminumnya.
A number of residents who came to confess more solemn moment in the mosque to worship in the old. Both run religion prayer, reading the Qur'an or remembrance. "Prayers are here feels different to pray in another mosque," said Ustadz Hamzah, one of the mosque imam.
Husein said, a number of scholars and qori parents often come to the mosque. Generally, they claim to feel something special when he was in the mosque. "They said if more steady and solemn while doing the activity in the mosque," he said.
It is also felt by some scholars who are giving lectures. "Kiai Husein Trowulan during lectures here ever tell you anything special that is felt when the old mosque," he said.
The mosque was built by Habib Salim Hadramut Yemeni origin around the year 1810. Behind the mosque is at least five graves. The oldest tomb is, Grave Mbah trevally. That said, he is a friend Mbah Abbas, a descendant of Sunan Giri's 15 mosques that had caring parents. Mbah Abbas is buried in Banyuwangi. Executives old mosque itself right now is, the descendants of Abbas Mbah.
Only, this time the mosque was not used again for Friday prayers. Although there are still daily prayers in it. "Age of the Netherlands was still use of the Friday," said Husein.
Currently, routine activities in the mosque, among others, the activity of a number of wirid pengamal associations. Especially wirid inherited from the founders of the mosque. Namely wirid works fine and rotibul Hadad Alwi Al Hadad Abdullah Habib. Gained a sense of solemnity in the mosque is said to be one attractor residents to hunt Laylat al-Qadr.
The intrinsic value is always attached to the ancient buildings. In particular places of worship rich historical value. As can be seen in the Masjid Baitul Muslimin North Kauman Mojosari, Mojokerto regency.
The walls of the mosque's building looks tired prop. The tower is stuck in the roof as if no longer withstand the heat of strong sunlight. From the physical distance Mosque Baitul Muslimin North Kauman Mojosari already looks very old indeed. Although the look remained robust, though continue to protect the people who worship there.
Although the physical building is not semegah Mojosari Jami Masjid in the north, but the mosque remains a jujukan Kauman residents to perform salat. Especially to the people that come from out of town.
Every moment in front of the mosque looked a number of vehicle parking. The majority of those vehicles owned by residents outside the city who want to feel the old prayers in the mosque. Not just prayer, some of which also linger in the mosque to read Qur'an or remembrance practice.
"Some people sometimes come to drink well water of the old mosque," said Ustad Hussein, one of the takmir mosque. The Well is situated on the north side of building mosques. But, still inside the fence of the mosque. It is said that well water is believed to bring blessing, to be able to heal the sick peminumnya.
A number of residents who came to confess more solemn moment in the mosque to worship in the old. Both run religion prayer, reading the Qur'an or remembrance. "Prayers are here feels different to pray in another mosque," said Ustadz Hamzah, one of the mosque imam.
Husein said, a number of scholars and qori parents often come to the mosque. Generally, they claim to feel something special when he was in the mosque. "They said if more steady and solemn while doing the activity in the mosque," he said.
It is also felt by some scholars who are giving lectures. "Kiai Husein Trowulan during lectures here ever tell you anything special that is felt when the old mosque," he said.
The mosque was built by Habib Salim Hadramut Yemeni origin around the year 1810. Behind the mosque is at least five graves. The oldest tomb is, Grave Mbah trevally. That said, he is a friend Mbah Abbas, a descendant of Sunan Giri's 15 mosques that had caring parents. Mbah Abbas is buried in Banyuwangi. Executives old mosque itself right now is, the descendants of Abbas Mbah.
Only, this time the mosque was not used again for Friday prayers. Although there are still daily prayers in it. "Age of the Netherlands was still use of the Friday," said Husein.
Currently, routine activities in the mosque, among others, the activity of a number of wirid pengamal associations. Especially wirid inherited from the founders of the mosque. Namely wirid works fine and rotibul Hadad Alwi Al Hadad Abdullah Habib. Gained a sense of solemnity in the mosque is said to be one attractor residents to hunt Laylat al-Qadr.
PAGE 1 (INDUSTRY IN MOJOKERTO)
Ngoro, Mojokerto
Indonesian From Wikipedia, the free encyclopedia
This is a page drafTerkini (not reviewed)
Jump to: navigation, search
Sub Ngoro
Ngoro District location map
East Java Province
Mojokerto Regency
Camat Drs. Gunarko Teguh, M. Si
Area - sq km
Total population -
- Density - inhabitants / km ²
Village 19
Ngoro is a district in Mojokerto regency, East Java, Indonesia.
This district is one of the local industrial area of Mojokerto. When this has been established industrial area called Ngoro Industrial Park (NIP) which was in the area between Mojosari and Watukosek. In addition to existing industrial estates in Ngoro sand mining (sand) located south disebalah settlements in the foothills of responsibility. Ngoro community and its surrounding areas before entering the industry, Ngoro livelihoods is farming. Ngoro subdistrict consists of 19 villages, among others: Nyctanthes arbor-tristis, Kesemen, Kutogirang, Purwojati, Sedati, Lolawang, Wotanmas Jedong, Ngoro, Kembangsri, Jasem, Sukoanyar, Tanjangrono, Bandarasri, Tambakrejo, Wonosari, Watesnegoro, Manduro Play Elephant, Kunjorowesi.
Indonesian From Wikipedia, the free encyclopedia
This is a page drafTerkini (not reviewed)
Jump to: navigation, search
Sub Ngoro
Ngoro District location map
East Java Province
Mojokerto Regency
Camat Drs. Gunarko Teguh, M. Si
Area - sq km
Total population -
- Density - inhabitants / km ²
Village 19
Ngoro is a district in Mojokerto regency, East Java, Indonesia.
This district is one of the local industrial area of Mojokerto. When this has been established industrial area called Ngoro Industrial Park (NIP) which was in the area between Mojosari and Watukosek. In addition to existing industrial estates in Ngoro sand mining (sand) located south disebalah settlements in the foothills of responsibility. Ngoro community and its surrounding areas before entering the industry, Ngoro livelihoods is farming. Ngoro subdistrict consists of 19 villages, among others: Nyctanthes arbor-tristis, Kesemen, Kutogirang, Purwojati, Sedati, Lolawang, Wotanmas Jedong, Ngoro, Kembangsri, Jasem, Sukoanyar, Tanjangrono, Bandarasri, Tambakrejo, Wonosari, Watesnegoro, Manduro Play Elephant, Kunjorowesi.
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