CUBLAK CUBLAK SUWENG
cublak cublak suweng
suwenge ting geletek
nganggo kepudung solek
tak ijo royo-royo
sopo gelem delekake
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong
sir – sir pong ‘dele bodhong-dhong-dhong–dhong ….
Minggu, 05 September 2010
KESENIAN BANTENGAN
ART bantengan
Bantengan Traditional Arts, is a performing art that combines elements of traditional cultures sendra dance, though kanuragan, music, and poetry / spell that is very thick with magical nuance.
Performer bantengan sure that the game will be more interesting if already entered phase "trans" The first step is the holder of the player's head into possession of ancestors bantengan Bull (Dhanyangan).
Bantengan art that has been born since the days of the Kingdom of the royal era Singasari (Jago temple site - Overlapping) is very closely related to Pencak Silat. Although at the time of Ken Arok, the royal art forms bantengan not like now, that is shaped mask dancing bantengan head. Because the dance movements of the motion to adopt played Kembangan Pencak Silat.
Not surprising really, because at first was unsure Art bantengan entertainment for every player Pencak Silat after each exercise routine. Each group has at least two bantengan bantengan as well as a pair of male and female bantengan.
Although developed from among college Pencak Silat, at this moment bantengan Arts has stood alone as part of the tradition of art that not all universities in the Indonesian Pencak Silat has bantengan Group and vice versa.
Development of the arts community bantengan majority are in rural or suburban areas on the mountain slopes of East Java as precisely Bromo-Tengger-Semeru, Arjuno-Welirang, Pearl, and roar-Argopuro Kawi.
Arts game played by two people bantengan which acts as the front legs at the same time the holder's head and controller bantengan bantengan dance and hind legs that also serve as the tail bantengan. Bantengan costumes are usually made of black cloth and a mask-shaped head made of wood bison and native bull horns.
Bantengan is always accompanied by a group of people who play musical instruments typical bantengan with a gong, drum, and others. Art is played by two men, one in the front of the head, and one at the rear of the tail. and usually, the front man will be possessed, and the person behind him will follow his every movement.
Quite often people in the back is also possessed by the devil. However, the very rare person in the rear while the front was not possessed. bantengan assisted so possessed by the people (men) who wear clothes all the usual red and black T-shirt called abangan usually called irengan.
Bantengan also always accompanied by macanan. macanan costumes are made from fabrics that were given coloring (usually yellow striped orange), which is used by a man. This usually helps bantengan macanan possession and hold it until it is too violent when kesurupannya. But not infrequently macanan also possessed.
Ornaments that are on bantengan namely:
1. Horn (buffalo, buffalo, cows, etc.)
2. Bull's head made of wood (hibiscus, dadap, Miri, jackfruit, tables, flowers, etc.)
3. Bantengan crown, in the form of spiral wayangan leather or paper
4. Klontong (instrument sounds in the neck)
5. Penjalin basket, as the body (in a particular area using only a black cloth as a connector body and legs behind head)
6. Gongseng feet
7. Complaint (the reins)
In each show (called "gebyak"), bantengan supported by some devices. Namely:
1. Two people Pendekar bantengan chief controller (using a rope slap)
2. Jidor player, gamelan, pengerawit, and sinden. Minimal 1 (one) at each position
3. Elders, an elder person. Have advantages in terms of calling the ancestor Bull
4. (Dhanyangan) and return it to the place of origin
5. Guardian and warrior leader is in control with a control group of whip (Cemeti / Whips)
6. Minimum of two and one Monyetan Macanan as confounding role bantengan.
Bantengan, A CULTURAL communal
Bantengan communal art is art that is involving a lot of people in each show. Just as the nature of animal life bull, which live in groups (colonies), this form of behavior bantengan cultural society menggelutinya to always live in communality, mutual assistance and uphold a sense of unity unity.
One example of cultural behavior bantengan striking arts actors are there anjang anjang culture here, namely cultural reciprocation between arts groups bantengan if one of them was invited to play the art in other areas. Then, on the other time bantengan existing arts groups in the area will take turns coming bantengan groups who previously helped enliven an event in their area.
STONE CITY ART HISTORY bantengan
Bantengan art developments in Batu and was started in the era of struggle. During this period, the young City of Stone (which is still part Kadipeten Malang), many were sent to boarding school to learn Pencak Silat Kanuragan Sciences, based in Jombang area.
As mentioned above, closely related with martial arts bantengan, then after nyantri (seeking knowledge in Pondok Pesantren) Stone youths back yard and founded padepokan kekampung Pencak Silat. To attract young people who are willing to learn Kanuragan perkampungannya Pencak Silat, the art developed characterizations bantengan with wild animals is against the Bull of the Tiger (Tiger).
During the struggle against these invaders, these characterizations Bull symbolized the animals that live colonies (groups) is the symbol of the common people and animals Tiger (Tiger) represents the Dutch Colonial, and there are figures of animals that like to tease Bull Monkey and Tiger as well as provoke them to always fight . This symbolizes Monyetan provocateur.
Until recently, art bantengan Stone (who has berotonommi become a separate municipality out of Malang) still continues to maintain its existence. Even in remote corners of rural development, arts bantengan have been able to stand alone outside the group Padepokan Pencak Silat.
Furthermore, art bantengan rapidly evolving in the Stone was taken by one of the leaders in the martial arts to the region Pacet Bumiaji Mojokerto (because the location of two adjacent areas on the slopes of the mountains Arjuno-Welirang) and developed this art to the present.
Bantengan Traditional Arts, is a performing art that combines elements of traditional cultures sendra dance, though kanuragan, music, and poetry / spell that is very thick with magical nuance.
Performer bantengan sure that the game will be more interesting if already entered phase "trans" The first step is the holder of the player's head into possession of ancestors bantengan Bull (Dhanyangan).
Bantengan art that has been born since the days of the Kingdom of the royal era Singasari (Jago temple site - Overlapping) is very closely related to Pencak Silat. Although at the time of Ken Arok, the royal art forms bantengan not like now, that is shaped mask dancing bantengan head. Because the dance movements of the motion to adopt played Kembangan Pencak Silat.
Not surprising really, because at first was unsure Art bantengan entertainment for every player Pencak Silat after each exercise routine. Each group has at least two bantengan bantengan as well as a pair of male and female bantengan.
Although developed from among college Pencak Silat, at this moment bantengan Arts has stood alone as part of the tradition of art that not all universities in the Indonesian Pencak Silat has bantengan Group and vice versa.
Development of the arts community bantengan majority are in rural or suburban areas on the mountain slopes of East Java as precisely Bromo-Tengger-Semeru, Arjuno-Welirang, Pearl, and roar-Argopuro Kawi.
Arts game played by two people bantengan which acts as the front legs at the same time the holder's head and controller bantengan bantengan dance and hind legs that also serve as the tail bantengan. Bantengan costumes are usually made of black cloth and a mask-shaped head made of wood bison and native bull horns.
Bantengan is always accompanied by a group of people who play musical instruments typical bantengan with a gong, drum, and others. Art is played by two men, one in the front of the head, and one at the rear of the tail. and usually, the front man will be possessed, and the person behind him will follow his every movement.
Quite often people in the back is also possessed by the devil. However, the very rare person in the rear while the front was not possessed. bantengan assisted so possessed by the people (men) who wear clothes all the usual red and black T-shirt called abangan usually called irengan.
Bantengan also always accompanied by macanan. macanan costumes are made from fabrics that were given coloring (usually yellow striped orange), which is used by a man. This usually helps bantengan macanan possession and hold it until it is too violent when kesurupannya. But not infrequently macanan also possessed.
Ornaments that are on bantengan namely:
1. Horn (buffalo, buffalo, cows, etc.)
2. Bull's head made of wood (hibiscus, dadap, Miri, jackfruit, tables, flowers, etc.)
3. Bantengan crown, in the form of spiral wayangan leather or paper
4. Klontong (instrument sounds in the neck)
5. Penjalin basket, as the body (in a particular area using only a black cloth as a connector body and legs behind head)
6. Gongseng feet
7. Complaint (the reins)
In each show (called "gebyak"), bantengan supported by some devices. Namely:
1. Two people Pendekar bantengan chief controller (using a rope slap)
2. Jidor player, gamelan, pengerawit, and sinden. Minimal 1 (one) at each position
3. Elders, an elder person. Have advantages in terms of calling the ancestor Bull
4. (Dhanyangan) and return it to the place of origin
5. Guardian and warrior leader is in control with a control group of whip (Cemeti / Whips)
6. Minimum of two and one Monyetan Macanan as confounding role bantengan.
Bantengan, A CULTURAL communal
Bantengan communal art is art that is involving a lot of people in each show. Just as the nature of animal life bull, which live in groups (colonies), this form of behavior bantengan cultural society menggelutinya to always live in communality, mutual assistance and uphold a sense of unity unity.
One example of cultural behavior bantengan striking arts actors are there anjang anjang culture here, namely cultural reciprocation between arts groups bantengan if one of them was invited to play the art in other areas. Then, on the other time bantengan existing arts groups in the area will take turns coming bantengan groups who previously helped enliven an event in their area.
STONE CITY ART HISTORY bantengan
Bantengan art developments in Batu and was started in the era of struggle. During this period, the young City of Stone (which is still part Kadipeten Malang), many were sent to boarding school to learn Pencak Silat Kanuragan Sciences, based in Jombang area.
As mentioned above, closely related with martial arts bantengan, then after nyantri (seeking knowledge in Pondok Pesantren) Stone youths back yard and founded padepokan kekampung Pencak Silat. To attract young people who are willing to learn Kanuragan perkampungannya Pencak Silat, the art developed characterizations bantengan with wild animals is against the Bull of the Tiger (Tiger).
During the struggle against these invaders, these characterizations Bull symbolized the animals that live colonies (groups) is the symbol of the common people and animals Tiger (Tiger) represents the Dutch Colonial, and there are figures of animals that like to tease Bull Monkey and Tiger as well as provoke them to always fight . This symbolizes Monyetan provocateur.
Until recently, art bantengan Stone (who has berotonommi become a separate municipality out of Malang) still continues to maintain its existence. Even in remote corners of rural development, arts bantengan have been able to stand alone outside the group Padepokan Pencak Silat.
Furthermore, art bantengan rapidly evolving in the Stone was taken by one of the leaders in the martial arts to the region Pacet Bumiaji Mojokerto (because the location of two adjacent areas on the slopes of the mountains Arjuno-Welirang) and developed this art to the present.
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